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SHOW REVIEW: Kina Grannis Album Release Party

kina grannisEven though you may have never met Kina Grannis, you might feel like you know her from somewhere. With the help of Doritos and an army of online voters, she was selected to have the video for her song “A Message From Your Heart” played during the 2008 Super Bowl and to be signed by Interscope records for a multi-album recording deal. She found, however, that as a small (yet talented) fish in a major label pond, she was better suited to find her way by booking her own gigs, producing her own music, and using love and attention to amass her ever-growing and devoted fan base.

This past Saturday night, she celebrated the release of her new album “Stairwells” at the Dakota Lounge in Santa Monica. A few hundred people packed into the tiny club to wish Kina well, sing along, and enjoy cuts off her new record. If you haven’t heard Grannis’ music, I’d describe it as uplifting and introspective, painful and hopeful, and without fail the kind of music you can’t help but smile at. Watching Kina play live (and listening to her talk between songs), you really see that she’s a genuine person playing genuine music. These songs are her life and she is eternally grateful you want to listen to them.

During the course of the show Kina played crowd favorites like “A Message From Your Heart” and her new single “Valentine,” and gave VH1 Storytellers treatment to newer tracks like “Mr. Sun” and “The Goldfish Song.” She also took the time after her set to talk to a long line of fans and autograph every copy of “Stairwells” that was put in front of her. This polite young girl from Orange County cracked the Top 25 albums on iTunes this week without the help of a record company or radio stations, and last night’s show proved why: Kina Grannis is very good at what she does and she cares about those who care about her.

Find out what all the buzz is about – download “Stairwells” on iTunes and watch out for tour dates at kinagrannis.com.

INTERVIEW: Dust Bowl Cavaliers Put The Cool In Bluegrass‏

dust bowl cavaliersIn a town like Los Angeles, it’s rare you hear the sentence, “there’s this bluegrass band you have to see” …chances are if you do, it’s in reference to The Dust Bowl Cavaliers. Admittedly, I’ve never been a huge fan of country or bluegrass music, but the DBC’s are that special breed of band that you can’t help but love. I dare even the most too-cool-for-school indie rock fan to see these guys live and not tap their leather pointy-toed Italian import shoe to the beat.

I talked with Dust Bowl Cavaliers’ upright bass player/singer Matt Young and guitar player/singer Mark McConville about their self-proclaimed “6 man hot-damn hootenanny.”

1. Is it hard being a bluegrass band in a city filled with hipsters and rock n’ roll?

YOUNG: Not really. We’re usually received pretty well by that crowd – I think it’s largely because we are different. I’ve found that there are a lot of closet roots music fans in LA and they come in all shapes and sizes.

MCCONVILLE: There’s actually a pretty great roots/Americana scene in LA. I think that if music is good, people will listen regardless of genre. Obviously, we’re probably not gonna play traditional pop and rock venues like the Roxy or Key Club, but we have managed to cultivate a pretty good following.

2. You guys do great cover songs. You even did a full tribute album to Tenacious D. How do you choose a song to cover?

MCCONVILLE: They just sort of happen. We’ll pitch songs to each other and try them out.

YOUNG: CMH Records hired us to do the Tenacious D record after they heard our covers of Flaming Lips’ “Yoshimi” and “Take it on the Run” by REO Speedwagon. CMH has a whole line of bluegrass tribute CD’s called the “Pickin’ On…” series, and they find different bands to record whatever artist they’re covering.

3. Is there a band you would love to cover but haven’t yet?

YOUNG: I’d like to do the Pixies’ “Here Comes Your Man”. I’ve always wanted to cover a whole album for a show, too. Revolver or Badmotorfinger or Armed Forces or something like that, track for track, but bluegrass style.

MCCONVILLE: For years, I’ve been threatening to arrange a Whitney Houston medley. This is not a joke. I think a lot of her stuff would be fun if arranged for a bluegrass band. I never seem to get around to it. Maybe one of these days.

4. What’s been your favorite show you guys have played?

YOUNG: My favorite show was at Mississippi Studios in Portland a few years ago on our West Coast tour. The place is a real listening room with a great stage, great sound, and a great, friendly staff. We were surprised at how many folks showed up to hear us play so far from LA. We played really well that night and made a lot of new fans. The night before, we had played for ONE person in a pizza place. Yep – one person. Ups and downs.

MCCONVILLE: For me, we played a show at Molly Malone’s a few years back after a quirky variety show called Wizard Finger. Sword swallowers, gymnasts, fire dancers, crazy monologues, then us. The crowd was very excited and riled up and kept asking for encores. That was a moment where I realized that we really had something with this band. If memory serves, we ran out of songs and had to do a few a second time. More recently, our shows at Hotel Cafe have been very rewarding. That’s a great venue.

5. What do you consider when putting together a set list?

MCCONVILLE: It’s an interesting problem for us, as all the guys in the band sing lead vocals on a couple of our tunes. So the boring, practical answer is that we try to rotate the singing duties. The venue will often determine our sets, too. In a more intimate venue, we’re much more likely to play some slower softer stuff, or some newer stuff. But a bar crowd just wants to drink and have a good time. Usually, we can provide a pretty good uptempo soundtrack for such a thing. Mostly, we just play the tunes that we like and hope the audience likes them too.

6. Is there a “nerdy” instrument in bluegrass? I bet it’s the mandolin.

MCCONVILLE: Truly, the genre itself leans more toward nerdy than cool. There’s not a lot about bluegrass that is hip or modern. It’s a tradition-based genre, so there’s not a lot of cutting-edge, trendsetting going on. I just concentrate on playing music that I enjoy and let other people decide whether or not it’s cool.

YOUNG: It’s the mandolin.

7. What is the best part about being in a bluegrass band? What’s the worst part?

MCCONVILLE: The fact that we’ve been a band for this long and have been able to play around LA is fantastic. I love the fellas in the band, so the friendship is certainly one of the best things. Personally, it has forced me to become a better musician, which is a definite perk.

The tradition of bluegrass is a double-edged sword. There are traditionalists that would argue we aren’t a bluegrass band at all in that we plug our instruments in and play rock covers. It hasn’t been a major issue, but when it comes up, it’s not always fun to deal with. We just play what we like the best way we know how. We ride the line between honoring tradition and just doing our thing.

YOUNG: For me, the best part is getting a crowd really worked up. When people are rocking out to this music that’s nearly a century old, with big smiles on their faces, there’s just nothing like it. The worst part?   I don’t know – counting all those piles of money sometimes wears me out.

8. If people have never heard your band before, what’s the best “starter track” for them on iTunes?

MCCONVILLE: I think our song “Lay You Down” is a great original tune that sums our band up pretty well.

YOUNG: “What is a Man?” or “Lay You Down”

9. Complete this sentence, “The Dust Bowl Cavalier will be the first band in history to…”

YOUNG: …become the first female President of the United States.

You can find tour dates and music by the Dust Bowl Cavaliers at myspace.com/thedustbowlcavaliers.

VENUE REVIEW: Keeping It Classy With The El Rey

the el reyThe El Rey is one of the classier places to see a show in LA. An art deco theater located in the Miracle Mile, The El Rey definitely has a cool vibe about it. But could The El Rey beat up another venue in a street fight? Let’s find out.

1) Size
The size of the El Rey is perfect. Big enough to not feel cramped, but small enough to let you feel intimate with the band. (Not in a sexual way… unless you’re into that kind of thing… which you shouldn’t be).

2) Sound
The El Rey’s sound quality is fantastic. I’ve seen full bands play here (Mike Ness and his blue grass band) as well as single artists (just Billy Bragg and his guitar) and they’ve all sounded like they were mixed in a recording studio. Even that weird guy you knew in college who paid $1000 for headphones would be happy here.

3) Cleanliness
Many venues smell like a Jr. High locker room. The El Rey, however, keeps it clean and classy. So clean, in fact, that they rent the place out for weddings on the weekends, which is really saying something. Have you seen “Bridezillas?” Those chicks don’t mess around.

4) Bands
While The El Rey does get some great bands to grace that stage, it seems they try to avoid any bands that would elicit a mosh pit. I don’t hold this against them, however, because my definition of a night on the town doesn’t always include blunt force trauma.

Overall grade: A-
If you can find a band you like playing at The El Rey, you will almost certainly have a great evening out. To Los Angeles, it is the distinguished gentleman of concert venues, ready to knock out many other venues flat on their face.

How To Save A Few Bucks On Concerts‏

moneyConcert prices have rapidly snuck up on us. Between Ticketmaster fees, parking, and drinks, what starts as a $20 ticket often turns into a $70 evening on the town. Here are a few tips to save money when seeing a show in Los Angeles.

1) Buy tickets at the venue
You can buy tickets to a lot of concerts directly from the venue’s box office, which saves you the Ticketmaster fees. Swing by the venue on a weeknight after work – you won’t have to wait in long lines and parking will be easy.

2) You don’t always have to pay to park
Most venue-adjacent parking structures charge you around $15. Don’t give in! If you don’t mind walking half a mile you can often find free street parking or a cheaper lot.

3) Get drunk before you go
Venues will charge you $12 for a beer that costs less than $2 at a liquor store. If you don’t want to drink thug-style on the curb out of a brown paper bag, most venues have restaurants and dive bars close by. A little research and exploring can scare you up some cheap booze before the show.

A real-life cheap night example:
I recently saw the Gaslight Anthem at Henry Fonda. I parked at Hollywood and Highland (cheap if you get validated at Starbucks). I walked a mile to the venue (also a one-stop ride on the subway). I got a beer and a shot at the iO West theater bar ($10 total), and bought my ticket for the show at the door for $20 cash.  Full evening cost MY way: $33. Full evening cost THEIR way: $71. I’m no mathematician, but I think I won this one.

We live in an expensive town, but if you’re smart, concert-going doesn’t have to be that way.

How do you save dough?  Tell us what your concert saving tips are!

Streetlight Manifesto Announce Cover Album Track Listing‏

streetlight manifestoCover albums can be amazing if they’re done correctly. Most of the time they’re not, but ska bands have had a good track record of producing interesting takes on old classics that don’t always come from their genre. The cover album Reel Big Fish put out last year was a solid effort, and Madness’ “The Dangermen Sessions Volume 1” was some of their best work since their early years. But I don’t think I’ve more hotly anticipated a cover album than the first volume of Streetlight Manifesto’s “99 Songs Of Revolution” series that is set to release March 16th.

I first saw Streetlight Manifesto two years ago as Less Than Jake’s opening band at the Wiltern. About 10 seconds into their first song, I realized these guys are not an opening band – they’re the main event. They are loud, fast, catchy, extremely proficient on their instruments, and above all, passionate in the way they play. Every member of that band goes for it on stage, and this really comes across on their records as well.

So, you can imagine my excitement when they announced the track listing for this record. They cover bands that you might expect a ska-punk band to cover – NOFX, Bad Religion, The Dead Milkmen and the like. But what really interests me is how they’ll interpret songs by Radiohead, The Postal Service, and… wait for it… Paul Simon.  I can just imagine what their cover of “Hell” by the Squirrel Nut Zippers is going to sound like, and that alone was enough to get me to pre-order the album. If you’d like to do the same, you can do so at theriscstore.com.